LOS ANGELES, June 8, 2022 /PRNewswire/ — LA-based post-production house DigitalFilm Tree (DFT) is proud to announce its role in the release of Prince and The Revolution: Live, a hi-def Blu-ray restoration of a March 30, 1985 Prince concert originally filmed in Syracuse, New York’s Carrier Dome and broadcast to the world via satellite. The film was originally released on VHS in the late 1980s before falling out of print.
Restoring and digitizing the concert film—shot in the analogue and obsolete NTSC format—was a delicate task, in which DFT’s CTO/ Senior Colorist Thomas Galyon, CSI, and Post-Production Engineer Greg Filkins had to painstakingly rescue the footage from an analogue time of soft blurs and jittery movements and into an HD era of high detail.
Waveform scope monitors were used to adjust and radically correct the color to truly match the vivid hues shot in 1985, rather than the signal-degraded imagery that existed on the VHS. Elsewhere, the NTSC footage—wherein every frame is actually two fields made up of interlocking odd and even “lines” rather than pixels—was properly interlaced into a new progressive image that eliminated lines altogether and evolved the frenetic footage into a file made of pixels, with each frame its own digital picture rather than NTSC fields. Data was mined to locate and highlight details never before visible in the original broadcast or VHS release, with Prince and Revolution’s faces, instruments, and ornate costumes/ stage design escaping harsh, blown-out VHS obfuscation and returning to brilliant clarity. Finally, a layer of filmic grain was latticed throughout to mask camera distortions, and small VFX paint-outs and restoration work removed artifacts and noise reduction, with DFT’s Head of VFX Dylan Chudzynski restoring the concert’s opening title card by creating clean vector graphics for the welcome scroll in its original font.
A months-long process of devotion, faith, and technology came together to bring Prince and the Revolution back to their galvanizing glory of March 30th, 1985, and now a world of fans will be able to reexperience (or experience for the very first time) a show that was nearly lost to the ravages of time, but, like the music, will now last forever.
Since 1999, DigitalFilm Tree (DFT) has been a leader in democratizing technology for production and post, offering educational resources and bleeding edge solutions to meet media and entertainment’s biggest challenges. For more than a decade, DFT has offered secure, cloud-based network infrastructure for remote workflows in an effort to help creatives save time, add to collaborative efficiency and lessen our industry’s carbon footprint. As a part of that mission, DFT also leverages game engine technology to offer virtual production and pre-visualization services to episodic television.
Please direct media requests to Nancy Jundi, COO of DigitalFilm Tree
SOURCE DigitalFilm Tree
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